This was a quick plein air sketch done in late August with lots of juicy paint and a pallet knife on 9x12 Ray-Mar panel.
The view is across a portion of Paradise Pond in Easthampton, MA, looking toward Mt. Tom.
It is an attempt to use three specific transparent primaries, plus white. It is also an attempt to put more paint onto the canvas. If I can maintain the strength of color, and boldness and gesture, while bringing in a bit more "considered" detail, I would be happy.
("The Real Color Wheel," by Don Jusko.)
Friday, September 30, 2011
Tuesday, September 6, 2011
August Skies
Friday, August 26, 2011
August, Wickland's Barns
Hint of red in the Swamp Maple in the back pasture. The challenge was two-fold. To use a restricted the pallet of three new--to me--transparent primaries, plus white. (Holland's Indian Yellow- #PBR23, Quinacridone Magenta (# 545) and Thalo Blue (#T203). Then, to create a sense of distance, across the field and up the hill, by applying the lessons of aerial perspective upon the value and tones of those three primaries.
Sunday, August 14, 2011
Hilltown Summer: Blueberry Hills, Westhampton
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Friday, July 22, 2011
Plein Air Hilltown Sky
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| Lofty Clouds over the Berkshires: 9x12 oil on Ray-Mar panel |
Plein air study:
Oil on Ray-Mar panel
9x12
When I began painting there wasn't a cloud in the sky. A high meadow view framed by grapevines caught my attention, and I worked steadily for an hour. Looking up from new grape tendrils, I was surprised by a brace of fluffy summer clouds racing over the Berkshire Hills. Tossing the first panel aside, I tried to quickly capture the essence of blue and white, and cloud shadows, floating over the distant hills.
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